Duration
30h Th
Number of credits
Lecturer
Language(s) of instruction
French language
Organisation and examination
Teaching in the first semester, review in January
Schedule
Units courses prerequisite and corequisite
Prerequisite or corequisite units are presented within each program
Learning unit contents
What can a science of the collective (sociology) bring to an art form where singularity seems to dominate (literature)? Conversely, what kind of resources can literary description offer to a discipline that often relies on rigorous data and protocols?
In this course, conceived as an introduction to the objects, tools and methods of the sociology of literature, we will highlight what a certain number of concepts forged from this discipline ("trajectory", "space of possibilities", "illusio", "sociabilities", "consecration", etc.) make it possible to think about, to complexify or to deconstruct. More precisely, we will start from a certain number of commonplaces that have been maintained for a long time on the literary fact (the image of the solitary genius, the value of the originality or the singularity of the work, the description of reading as a practice of isolation or escape, etc.) in relation to which a sociological approach operates in a critical manner.
Learning outcomes of the learning unit
- To be able to define a certain number of notions from the sociology of literature and, above all, to explain to which problems they attempt to answer
- Be able to map the main dividing lines within the field of sociology of literature (differentiate between approaches in terms of "field", "institution" and "world"; situate certain approaches according to whether they are interested in producers, works or readers; understand the oppositions of method between more critical and more comprehensive paradigms)
- To be able to seize a reality not studied in class and show how a sociological notion makes it possible to redefine it or to identify its issues.
Prerequisite knowledge and skills
This course is open to students from both humanities and social sciences. Every effort will be made to ensure that everyone can follow this course, regardless of their theoretical background.
Planned learning activities and teaching methods
Mode of delivery (face to face, distance learning, hybrid learning)
Quadrimestrialized seminar of 2h week
Course materials and recommended or required readings
Compulsory reading:
1) Portfolio of theoretical texts made available
2) One additional literary reading (from a shortlist, suggested during the first sessions of the course)
Students who wish to do so can extend their discovery of the sociology of literature by using a few resources, including:
- Pierre Bourdieu, Les Règles de l'art. Genèse et structure du champ littéraire, Paris, Seuil, 1992.
- Jacques Dubois, L'institution de la littérature (1978), Brussels, Impressions nouvelles, "Espace Nord", 2005; new edition 2019.
- Jérôme Meizoz, L'Oeil sociologue et la littérature, Geneva, Slatkine, 2004.
- Gisèle Sapiro, La Sociologie de la littérature, Paris, La Découverte, 2014.
- In general, the "Socius" lexicon (http://ressources-socius.info/index.php/lexique ) and the journal COnTEXTES (https://journals.openedition.org/contextes/) are fundamental tools for learning about the main concepts of the sociology of literature.
Exam(s) in session
Any session
- In-person
oral exam
Additional information:
Examen oral
Work placement(s)
Organisational remarks and main changes to the course
Theoretical classes in small groups, which therefore involve student participation. From time to time, students may be asked to do some preparatory reading (an article, an extract from a text, etc.).
Contacts
Justine.Huppe@uliege.be